31 Royalty-Free Audio Tracks for "Two Drops"

00:00
00:01
Two water drops.
Author: Millavsb
00:00
00:05
Two tones water drops in the bucket.
Author: Spring Tide
00:00
00:09
Recorded stereo xy mic configuration with two akg ck93 capsule mic with zoom h6.
Author: Gokalp Gonen
00:00
00:01
Made from these two sounds:https://freesound. Org/people/reiyamanor/sounds/351623/https://freesound. Org/people/adam_n/sounds/166316/.
Author: Kevinhilt
00:00
00:31
Recorded stereo xy mic configuration with two akg ck93 capsule mic with zoom h6.
Author: Gokalp Gonen
00:00
00:18
Recorded stereo xy mic configuration with two akg ck93 capsule mic with zoom h6.
Author: Gokalp Gonen
00:00
00:31
A foreground of large drops of rain falling (one or two drops hit the mike)and background of a long clap of rolling thunder.
Author: Nigelcoop
00:00
00:08
Two drops of water falling on a hot stovetop in succession.
Author: Tcrocker
00:00
00:02
A number of coins dropping on to concrete made by overlaying a single coin drop and offsetting multiple times. Made using two coin loops in logic x but creating a number of tracks, offsetting the loops at 'random' to create the sound of multiple coins. Also truncated some loops for variation.
Author: Petervh
00:00
00:18
Dropped two lightbulbs on concrete ground!recorded with a unampliefied field recording microphone in stereo.
Author: Pillonoise
00:00
00:16
I was on my way to make a song, but the composition is not what i'm looking for. . . But maybe it's what you're looking for! this one is just the loop. Check the other two files 'fluffy song intro' and 'fluffy song drop' to get the full 'song'!c major / 120 bpm.
Author: Disquantic
00:00
00:60
Recorded stereo xy mic configuration with two akg ck93 capsule mic with zoom h6.
Author: Gokalp Gonen
00:00
00:24
Two octave riser in key of c made with granular synthesis from samples i got off this website :).
Author: Rubenrox
00:00
01:26
Me dropping a chain somewhat slowly on a linoleum floor. It starts loud and gets softer. It's also pretty bright, but most of that is around 14k if you want to eq it out. Recorded with two kam i2's into a zoom h4n.
Author: Hitrison
00:00
00:13
Recorded this in my backyard at midnight, my neighbors probably hate me now. Recorded on a tascam dr-70d with a rode ntg-3. File is stereo but contains two of the same mono track for ease of use. Slight compression, eq, cleaning and limitting added for extra cripness. Let me know in the comments if you can use this, i'd love to read it!.
Author: Tdd
00:00
00:09
Opening a metal mailbox, dropping a heavy letter inside, and quickly shutting the mailbox-- two times, the second louder than the other. I attempted to remove the traffic from the background as best i could!.
Author: Rtcsoundcrew
00:00
00:10
This is a sound i created that is meant to replicate the sound of a bingo spinner spinning bingo balls. At the end, a ball drops and rolls an inch or so. This sound was made using 3d printed balls and two colanders.
Author: Deltaknightone
00:00
00:51
There is a little bit of wind sound made by the mass of water falling into the shower tub. At the end of the track you can hear me putting away the shower curtain. Recorded with olympus ls-3 two stereo microphones, one bass (middle) microphone. 96hz, 24bit.
Author: Zybil
00:00
00:50
Rain and two cars are crossing the sound field on a desert wet road, first left to right and second right to left, with music from the car. France, nov 2022. Recorded with 2 em 172 in ab setuprecorded on zoom f3wave stereo, 24bits 48khz.
Author: Bruno
00:00
00:19
This is a request for scrapthefur, but anyone may use these if you like. I said each line three times. I do this just in case the first one wasn't ideal. "no" may've been said six times, but that was because scrapthefur needed two separate nos. Hope it sounds okay.
Author: Reitanna
00:00
00:09
A mix of two samples i recorded from my kitchen sink. Made for a friend who needed a heavy leak sound. Loops seamlessly. Recorded with a roland edirol r-09hr and edited in adobe audition. If you use this sample, please tell me what you did with it below! links are nice too.
Author: Seth M
00:00
02:14
This is a beat that i made in the audition editing program using two free sounds: a cat purr and a water drop. I have no use for it because it's too slow for the songs i usually write. I would love if you gave credit, but i want to leave it as public domain in case you can't for some reason (using it for a school talent show, in a commercial, ect. ) it's frustrating to find the perfect sound and realize you can't use it for what you want to :) if you want to be kind and credit, my name is misgee dreamerheart.
Author: Misgee
00:00
00:30
Original description: very low key, down-tuned bass sound with long sustain and release/tail. Sounds good in higher pitches too. Came from two highly tweaked tom and click sounds in flstudio's edison.
Author: Waveplaysfx
00:00
00:01
The sound of a kid falling into an enormous vat of chocolate. Created for a production of willy wonka junior. I created this by slowing down a drip sound but i can't find the sound anymore. Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.
Author: Bevibeldesign
00:00
41:15
Some guys across the alley were throwing things out the window this morning, which woke me up and ticked me off. Instead of yelling at them, i put up my mic and recorded the impacts. This is the raw audio from the recording (only mono, sorry, didn't have time to set up two mics). Some really nice impacts and other hidden goodies in here. Later i may take some cuts out of it and put them up. Mic: rode nt1-aposition: from window c. 30 feet away.
Author: Samulis
00:00
00:06
Sound of one book dropped, and then two books being dropped on a table.
Author: Usamah
00:00
00:03
Drum: pearl sensitone steel 14" x 5. 5". Head: genera dry. Mic configuration: mono room, two overheads [spaced pair], batter head, reso head. I did basic eq cuts and boosts with some compression. No limiting used. Each articulation was carefully played and gain adjusted to seem as natural as possible. My goal was to also create a multi sampled snare drum that could be drag and dropped into a sampler with ease. Articulations: x-soft, soft, medium, hard, and crack. ***i will post a link to the complete multisample pack for all to download soon.
Author: Yellowtree
00:00
00:18
A setting on my toy keyboard called "pearl drop" shifted two octaves down (shifting this far down made the sound just start to break up in a glitchy sounding way).
Author: Thesuprememuffinpooter
00:00
00:37
A few cycles of my dad's home oxygen machine with a ticking battery operated clock in the background recorded in the early morning in the living room with lifecam hd3000 webcam at the end of about 16 feet of usb cable dragged out of my bedroom. He's about 6 feet away, i was with my back to the room with my camera pointed at my chest so he wouldn't think i was filming. It would seem this is the first and only oxygen machine on freesound. A full cycle seems to last from between 7 to 10 seconds. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.
Author: Kbclx
00:00
07:20
Recorded in my dad's bedroom with lifecam hd3000 webcam. This is a much better recording than my previous oxygen concentrator file, as i hauled my desktop into the bedroom at the other end of the apartment where the machine now is, when i was home alone. The webcam is on the bed about 3 or 4 feet from the machineat the beginning of the file you hear me flip the big switch and the machine comes on with a long on beep and thumps. I edited it to start then. At 00:1. 8 what i suspect is the water pump comes on, though i may be wrong. That's when the gurgling starts though. The machine has a small reservoir for distilled water to moisten the airflow. A cup or two lasts several daysyou'll hear various hisses and thumps in a 15. 6 second cycle as it runs. At 03:03 i flip the big switch to shut the machine off, and it bubbles and gurgles away for the rest of the file, as water i assume slowly perculates back into the reservoir, the bubbling getting quieter and quieter until it doesn't even sound like bubbling anymore, until it finally ticks to a stop. At 03:16 you hear me step as i get my foot loose from the mic cord lol. At 04:13 the furnace shuts down as a car finishes going by outside in the bass register, faint traffic noises and the furnace being the only background noises you'll hear aside from my moving around a couple times, and a faint bluejay at the end. At about 07:00 you can barely hear the machine anymore, but i could hear a faint ticking with my own ears. At 07:04 the furnace comes back on. At 07:08 you'll hear a bluejay faintly calling outside and a car going by outside after, which finishes the file at 07:20. I edited out my walking to the computer to shut the recording down. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.
Author: Kbclx
00:00
02:45
This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).
Author: Niedec
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